FredI'll help you track how Dahl builds obsession, the unseen world, and the ethics of knowledge. Keep the text close โ I'll push your thinking past surface-level reading.
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๐ฑ Before You Read
๐ Background
In this story, a solitary inventor named Klausner builds a machine he believes can detect sounds too high-pitched for human ears. When he tests it in his garden, what he hears changes everything he thought he knew about plants, pain, and the nature of life itself. Dahl mixes precise scientific detail with creeping horror to keep the reader unsettled.
As you read, track two things: what drives Klausner, and what his discovery forces us to consider about the living world around us.
โ Essential Question
What responsibilities come with the ability to discover things that others cannot see or hear?
๐ฎ QUICK PREDICTION
Fred asks: What do you think Klausner might hear through a machine that detects sounds beyond human range?
Sentence starter: I predict Klausner will hear __________ because __________.
โ Before Reading Activities
๐ง Think Critically
As you read, donโt just follow what happens โ ask why. What is the author doing, whatโs your evidence in the text, and how would you defend your answer to someone who disagrees?
1. Have you ever thought about building a machine?
2. Do you think animals and plants might feel pain in ways humans cannot detect?
3. Have you ever wondered why dogs can hear sounds that humans cannot?
๐ Key Vocabulary Preview
Word
What it means before you start
inaudible
impossible for the human ear to hear
suppressed
held back or kept hidden with effort
vibration
a rapid back-and-forth movement that creates sound
bewildered
completely confused and disoriented
spellbound
so fascinated that you cannot move or look away
๐ First Read โ Get the Story
Read straight through first. This is the full original story text, arranged in paragraph chunks for close reading.
[1]
It was a warm summer evening and Klausner walked quickly through the front gate and around the side of the house and into the garden at the back. He went on down the garden until he came to a wooden shed, and he unlocked the door, went inside and closed the door behind him.
[2]
The interior of the shed was an unpainted room. Against one wall, on the left, there was a long wooden workbench, and on it, among a littering of wires and batteries and small sharp tools, there stood a black box about three feet long, the shape of a child's coffin.
🔑 Checkpoint 1
What does Dahl compare the black box to, and what mood does that comparison create?
[3]
Klausner moved across the room to the box. The top of the box was open, and he bent down and began to peer inside it among a mass of different-coloured wires and silver tubes. He picked up a piece of paper that lay beside the box, studied it carefully, put it down, peered inside the box and started running his fingers along the wires, tugging gently at them to test the connections, glancing back at the paper, then into the box, then at the paper again, checking each wire. He did this for perhaps an hour.
๐ง INTERRUPTION QUESTION
Fred asks: What two details in the opening paragraphs tell you most about the kind of person Klausner is?
Sentence starter: One detail that reveals Klausner's character is __________, and another is __________.
Fred's model answer: Klausner is shown as secretive and intensely obsessive. He “unlocked the door, went inside and closed the door behind him” (paragraph [1]), and then checks each wire, “glancing back at the paper, then into the box… He did this for perhaps an hour” (paragraph [3]). The locked door shows he wants no witnesses, and the hour of patient tinkering shows a man wholly consumed by his project.
🔑 Checkpoint 2
What do these opening paragraphs reveal about Klausner’s personality?
[4]
Then he put a hand around to the front of the box where there were three dials, and he began to twiddle them, watching at the same time the movement of the mechanism inside the box. All the while he kept speaking softly to himself, nodding his head, smiling sometimes, his hands always moving, the fingers moving swiftly and deftly inside the box, saying, 'Yes ... Yes ... And now this one ... Yes ... But is this right? ... Ah, yes ... Of course ... Yes, yes ... That's right ... Good ... Good ... Yes, yes, yes.' His concentration was intense; his movements were quick; there was an air of urgency about the way he worked, of breathlessness, of strong suppressed excitement.
[5]
Suddenly he heard footsteps on the gravel path outside and he straightened and turned swiftly as the door opened and a tall man came in. It was Scott โ only Scott, the doctor. 'Well, well, well,' the Doctor said. 'So this is where you hide yourself in the evenings.' 'Hullo, Scott,' Klausner said. 'I happened to be passing,' the Doctor told him, 'so I dropped in to see how you were. How's that throat of yours been behaving?' 'It's all right. It's fine.' The Doctor began to feel the tension in the room. He came up closer and bent down to look into the box. 'What's this?' he said. 'Making a radio?' 'No, just fooling around.' 'It's got rather complicated-looking innards.'
🔑 Checkpoint 3
How does Klausner respond when Dr. Scott asks about the machine?
[6]
'Yes.' Klausner seemed tense and distracted. 'It has to do with sound, that's all,' he said. 'I like sound.' The Doctor went to the door, turned, and said, 'Well, I won't disturb you.' But he kept standing there looking at the box, intrigued by the remarkable complexity of its inside, curious to know what this strange patient of his was up to. 'What's it really for?' he asked. 'You've made me inquisitive.'
๐ง INTERRUPTION QUESTION
Fred asks: How does Dahl use the conversation between Klausner and the Doctor to build suspense about what the machine might actually do?
Sentence starter: Dahl builds suspense by showing __________, which makes the reader wonder __________.
Fred's model answer: Dahl builds suspense by making Klausner withhold the truth while the Doctor keeps probing. The Doctor “began to feel the tension in the room” (paragraph [5]) and admits the machine has “rather complicated-looking innards” (paragraph [5]), yet Klausner will only say “it has to do with sound, that's all” (paragraph [6]). The gap between the Doctor's curiosity and Klausner's secrecy makes the reader, like the Doctor, “inquisitive” about what the machine really does.
🔑 Checkpoint 4
According to Klausner, what is his machine actually designed to do?
[7]
Klausner began to explain. 'The theory is very simple really. The human ear ... you know that it can't hear everything. Any note so high that it has more than fifteen thousand vibrations a second โ we can't hear it. Dogs have better ears than us. You can buy a whistle whose note is so high-pitched that you can't hear it at all. But a dog can hear it. And up the scale, higher than the note of that whistle, there is another note, and another and another rising right up the scale for ever and ever, an endless succession of notes ... an infinity of notes ... on and on, higher and higher, as far as numbers go, which is infinity ... eternity ... beyond the stars.' Klausner was a frail, nervous, twitchy little man, a moth of a man, dreamy and distracted; and now the Doctor felt that there was about this little person a quality of distance, of immense immeasurable distance, as though the mind were far away from where the body was.
[8]
'I believe,' he said, speaking more slowly now, 'that there is a whole world of sound about us all the time that we cannot hear. It is possible that up there in those high-pitched inaudible regions there is a new exciting music being made, with subtle harmonies and fierce grinding discords, a music so powerful that it would drive us mad if only our ears were tuned to hear the sound of it.' 'Yes,' the Doctor said. 'But it's not very probable.' 'Why not? Why not?' Klausner pointed to a fly sitting on a small roll of copper wire on the workbench. 'You see that fly? What sort of noise is that fly making now? None โ that one can hear. But for all we know the creature may be whistling like mad on a very high note, or barking or croaking or singing a song. It's got a mouth, hasn't it? It's got a throat?'
🔑 Checkpoint 5
Why does Klausner point to the fly on the workbench?
[9]
Klausner explained that he had made a simple instrument that proved to him the existence of many odd inaudible sounds. 'This machine,' he said, touching it with his hands, 'is designed to pick up sound vibrations that are too high-pitched for reception by the human ear, and to convert them to audible tones. I tune it in, almost like a radio. Say I wish to listen to the squeak of a bat โ about thirty thousand vibrations a second. I tune in to thirty thousand on my machine, and I would hear the squeaking of that bat very clearly.' The Doctor looked at the long, black coffin-box. 'And you're going to try it tonight?' 'Yes.' 'Well, I wish you luck.' He glanced at his watch. 'My goodness! I must fly. Good-bye, and thank you for telling me.' The Doctor went out and closed the door behind him.
[10]
Klausner carried the box out into the garden and placed it carefully on a small wooden table that stood on the lawn. He fetched a pair of earphones and plugged them into the machine. He stood there beside the table, so pale, small, and thin that he looked like an ancient, consumptive, bespectacled child. From where he stood, he could see over a low fence into the next garden, where a woman was walking with a flower-basket on her arm. He pressed a switch, put one hand on the volume control and the other on the knob that moved a needle across a large central dial. As he listened he became conscious of a curious sensation, a feeling that his ears were stretching out away from his head, that the wires were lengthening, that the ears were going up and up towards a secret and forbidden territory, a dangerous ultrasonic region where ears had never been before.
๐ง INTERRUPTION QUESTION
Fred asks: At this point in the story, is Klausner a sympathetic character or a dangerous one? Use a specific detail to support your view.
Sentence starter: At this point, Klausner seems __________ because Dahl shows __________.
Fred's model answer: Klausner seems more fragile and unsettling than sympathetic here. Dahl describes him as “so pale, small, and thin that he looked like an ancient, consumptive, bespectacled child” (paragraph [10]), which makes him pitiable. But as he listens he feels his ears straining toward “a secret and forbidden territory, a dangerous ultrasonic region” (paragraph [10]) — the words ‘forbidden’ and ‘dangerous’ warn that his curiosity is leading somewhere it should not go.
🔑 Checkpoint 6
What does Klausner hear when Mrs. Saunders cuts her roses, and why does it disturb him?
[11]
The little needle crept slowly across the dial, and suddenly he heard a shriek, a frightful piercing shriek, and he jumped and caught hold of the edge of the table. There was no one in sight except the woman next door, who was bending down, cutting yellow roses. Again it came โ a throatless, inhuman shriek, sharp and short, very clear and cold โ and it came at the exact moment when a rose stem was cut. 'Mrs Saunders!' Klausner shouted. 'Cut another one! Please cut another one quickly!' She humoured him and snipped another rose, and again Klausner heard that frightful shriek in the earphones, again at the exact moment the stem was cut. 'You have, this evening, cut a basketful of roses,' he told her, 'and each rose that you cut screamed in the most terrible way.' That evening he tested a small white daisy and heard a faint cry too โ not pain, he decided, but something else, a neutral, stony cry, something he could only call "toin or spurl or plinuckment." The next morning, as soon as it was light, he carried the machine across the road to the park, set it by a great beech tree, put on the earphones, and swung an axe hard at the trunk. At the instant of impact he heard a harsh, enormous, low-pitched growling, screaming sound, drawn out like a sob. Klausner stared in horror at the gash, then hurried home and telephoned Dr Scott. 'You must come at once โ quickly, please!'
[12]
When the Doctor arrived, Klausner led him to the beech tree, handed him the earphones, and told him to listen. Then he picked up the axe and took his stance with his legs apart, ready to swing. 'Can you hear anything?' 'Just a humming noise.' Klausner lifted the axe and swung it at the tree; as he swung, he thought he felt a slight shifting of the earth beneath his feet, as though the roots were moving. The blade struck and wedged deep in the wood, and at that moment, high overhead, there was a cracking, splintering sound. The Doctor ripped off the earphones and ran, but Klausner stood spellbound as a great branch, sixty feet long, came crashing down โ it fell upon the machine and smashed it to pieces. When the Doctor was asked what he had heard, he grew evasive: 'I don't know what I heard. Probably the noise of the branch breaking.' Klausner, with a tense, horrified face, made the Doctor paint iodine on the two cuts the axe had made in the tree. 'There you are,' the Doctor said. 'That should do nicely.' 'You'll come and look at them again tomorrow?' 'Oh, yes. Of course.' 'Thank you, Doctor,' Klausner said, and he dropped the axe and smiled a wild, excited smile, and the Doctor gently took him by the arm and said, 'Come on, we must go now,' and suddenly they were walking away, the two of them, rather hurriedly, across the park, over the road, back to the house.
๐ First Read โ Quick Check
Read each item carefully. For Part A and Part B questions, answer Part A first, then choose the evidence that best supports your answer.
RL.6.1
PART A
1. Part A: Why does Klausner build the sound machine?
RL.6.1
PART B
2. Part B: Which detail from the story best supports the answer to Part A?
RL.6.3
PART A
3. Part A: How does Dahl first introduce the idea that plants might make sounds?
RL.6.1
PART B
4. Part B: Which detail best supports the answer to Part A?
๐ Second Read โ Look Closer
RL.6.3
PART A
5. Part A: What does the description of Klausner as a "frail, nervous, twitchy little man, a moth of a man" most reveal about him?
RL.6.1
PART B
6. Part B: Which phrase from the same paragraph best supports the answer to Part A?
L.6.4
VOCABULARY
7. In the story, what does inaudible most nearly mean?
RL.6.4
LITERARY DEVICE
8. What effect does Dahl create by describing the box as "the shape of a child's coffin"?
RL.6.3
MOOD AND SYMBOL
9. The beech tree in the park functions most clearly as a symbol of โ
RL.6.6
POINT OF VIEW
10. Why does Dahl tell the story from a third-person limited point of view closely following Klausner rather than from the Doctor's perspective?
Use STEAL to analyze Klausner. His looks โ frail, pale, bespectacled โ mark him as otherworldly. His speech is intense and obsessive. His actions โ checking every wire for an hour, apologizing to the tree โ show both precision and moral feeling. His effect on others makes the Doctor nervous and Mrs. Saunders frightened. His thoughts spiral into enormous ethical territory: if roses scream, what else is suffering that we cannot hear?
๐ง CLOSE INFERENCE
Fred asks: Why does Dahl have Klausner apologize to the tree and ask the Doctor to paint the cut with iodine? What does this behavior reveal about the story's larger meaning?
Sentence starter: Klausner's actions toward the tree reveal that Dahl wants readers to think about __________.
๐ Close Reading โ Part A / Part B
RL.6.1
PART A
11. Part A: Which statement best explains how Dahl develops the theme of hidden suffering in the story?
RL.6.1
PART B
12. Part B: Which quoted detail from the story best supports that theme?
RL.6.2
PART A
13. Part A: Which theme is most strongly supported by the complete story?
RL.6.1
PART B
14. Part B: Which detail most clearly supports the answer to Part A?
โ๏ธ Grammar โ Sentence Construction
Use sentence structure to sharpen your ideas, not just to label grammar terms.
Discover
Simple sentence: one independent clause. Example: Klausner pressed his ear against the machine.
Compound sentence: two independent clauses joined by a coordinating conjunction. FANBOYS:for, and, nor, but, or, yet, so. Example: Klausner heard a shriek from the roses, and he ran to the fence at once.
Complex sentence: one independent clause and one dependent clause. Common subordinating conjunctions include because, although, when, while, since, if, after, before, unless. Example: Although the Doctor doubted him, Klausner insisted that the roses had screamed.
L.6.1
PRACTICE
15. Which sentence is a compound sentence?
L.6.1
PRACTICE
16. Which revision best turns these ideas into a strong complex sentence? "Klausner felt horror. He looked at the gash in the tree."
Use It โ Simple
Write one simple sentence about Klausner using the word inaudible.
Use It โ Compound
Write one compound sentence about the moment Klausner hears the rose scream using and, but, or so.
Use It โ Complex
Write one complex sentence that explains why Klausner asks the Doctor to paint the tree with iodine.
These words are essential for following the action and understanding Klausner's obsessive methods.
Glossary
innards, gravel path, shed, spectacles, iodine
These text-specific support words help students stay oriented in the physical setting of the story.
๐ฎ Vocabulary Quiz โ 4 Rounds
Each question tests a target vocabulary word directly.
L.6.4
ROUND 1 ยท MEANING
17. A sound described as inaudible is one that โ
L.6.4
ROUND 2 ยท CONTEXT
18. In context, suppressed excitement is closest in meaning to โ
L.6.4
ROUND 3 ยท NUANCE
19. If someone is described as spellbound, they are most likely โ
L.6.4
ROUND 4 ยท APPLICATION
20. Which sentence uses bewildered most effectively?
๐ Paired Text โ How Humans Hear โ and What They Cannot
Genre: FlyingMinds Staff informational text
[1] The human ear is a remarkable instrument, but it has strict limits. Human beings can detect sound vibrations in a range of roughly 20 to 20,000 cycles per second, a unit scientists call hertz. Sounds above this range are called ultrasonic. Dogs can hear up to about 65,000 hertz. Bats navigate by emitting calls above 100,000 hertz, far beyond what any human listener could detect. This means that in any environment โ a garden, a park, a quiet room โ there may be a rich layer of acoustic activity that human beings simply cannot access without technological help.
[2] Scientists have known since the mid-twentieth century that some plants respond to damage with measurable physical changes. More recent research has shown that certain plants emit ultrasonic pulses when their stems are cut or their leaves are torn. These pulses are in a frequency range that no unaided human ear could hear. Researchers use sensitive microphones and recording equipment to detect them. The question of whether these pulses represent anything like pain or distress remains scientifically open โ plants do not have nervous systems like animals โ but the signals are real and measurable.
[3] The existence of a hidden acoustic world raises important questions about human perception and responsibility. If living things are producing sounds that humans cannot hear, what other signals might be going unnoticed? Scientists argue that the best response to this kind of discovery is careful measurement, rigorous testing, and intellectual humility โ the willingness to admit that our senses alone are not enough to understand the full complexity of the living world around us.
RI.6.1
PAIRED TEXT
21. According to the paired text, what is an ultrasonic sound?
RI.6.3
TEXT CONNECTION
22. Which detail from The Sound Machine most directly connects to the second paragraph of the paired text?
RI.6.1
PART A
23. Part A: What is the main idea of the paired text?
RI.6.1
PART B
24. Part B: Which sentence from the paired text best supports that main idea?
โ๏ธ Writing
Use evidence, not just opinions. Strong writing should show both clear thinking and close reading.
Prompt A โ Character Analysis
How does Dahl use Klausner's obsession to develop the story's central ideas about knowledge and responsibility?
Use this structure: Point ยท Context and actual evidence ยท Explanation. Include at least one exact detail from the story and, if it helps, one idea from the paired text.
Prompt B โ Theme
What does the story suggest about what happens when a person discovers something the rest of the world is not ready to believe?
Sentence starter: The story suggests that when someone discovers what others cannot see or hear, __________.
Prompt C โ Sentence Lab
Write three original sentences about the story:
one simple sentence using inaudible
one compound sentence about the moment Klausner hears the rose scream
one complex sentence explaining why Klausner's discovery creates an ethical problem
🧠 Think Deeper
No teacher needed — Fred coaches every task here. Work through the analogies, then argue both sides, then carry the idea into the real world.
🔗 Analogies · reasoning
Part 1 — Analogies
Find the relationship in the first pair, then pick the choice that repeats it. These are auto-graded and explained.
Reasoning
KLAUSNER : SOUND MACHINE :: ASTRONOMER : ?
Reasoning
CUT ROSE : SHRIEK :: ?
Pick the pair with the same ironic relationship — where something we assume is silent or harmless turns out to register pain.
Reasoning · L.6.4
INAUDIBLE : HEARD :: SPELLBOUND : ?
⚖️ Argue both sides · dialectic
Part 2 — Argue Both Sides
Is Klausner a courageous discoverer who reveals a hidden truth about the living world — or a disturbed man whose obsession blinds him to the harm he causes?
Do this: write the strongest case for each side using a quotation, then end with your own verdict. Structure: On one hand… (evidence). On the other hand… (evidence). I conclude…
Fred's two-sided model: Courageous discoverer: Klausner pursues a genuine idea — that “there is a whole world of sound about us all the time that we cannot hear” (paragraph [8]) — and he tests it carefully, repeating the rose-cutting until the result is unmistakable: each rose “screamed in the most terrible way” (paragraph [11]). His insistence on evidence looks like real scientific courage. Disturbed man: His obsession also makes him reckless and cruel. He swings “an axe hard at the trunk” of a living tree to prove his point (paragraph [11]), and even after hearing it groan he stands “spellbound” while the branch crashes onto the machine (paragraph [12]). He wounds the very world he claims to be listening to. Verdict: The strongest reading is that Klausner is both at once: a discoverer whose obsession outruns his ethics, so that the deeper he hears, the more harm he is willing to do.
🌍 Real-world transfer
Part 3 — Carry It Into the Real World
Describe a real situation — from science, technology, the news, or your own life — where a new ability to detect something hidden created a new responsibility. Then connect it to what Dahl shows about Klausner.
Sentence starter: A real example of a discovery that created new responsibility is __________. This connects to The Sound Machine because __________.
Fred's model: A real-world parallel is the invention of devices that record whale or elephant calls below human hearing — once scientists could hear that animals were distressed by ships and machinery, they faced a new duty to reduce that harm. That mirrors Klausner, who discovers “a whole world of sound about us all the time that we cannot hear” (paragraph [8]) and learns that a cut rose “screamed in the most terrible way” (paragraph [11]). The lesson transfers cleanly: the power to detect hidden suffering carries the responsibility to act on what you now know.